Philosophical interpretation of the China Garden Museum from different perspectives of Eastern and Western philosophy can reveal its deep significance in cultural heritage, personal cultivation and social education. From the perspective of Eastern philosophy, the China Garden Museum embodies the Taoist concept of "harmony between man and nature". It displays traditional Chinese garden art and emphasizes the harmonious coexistence of man and nature. Gardens are not only a symbol of beauty, but also a place for people to cultivate their character and pursue inner peace. The Confucian idea of "investigating things to gain knowledge" is reflected here. By studying and appreciating these gardens, people can gain new knowledge and wisdom, improve their personal cultivation and social responsibility. The concept of Zen is reflected in the fact that visitors can gain spiritual inspiration through the tranquil atmosphere here, experience the tranquility and wisdom brought by historical precipitation in this cultural holy land, and achieve inner balance and purification. The Western philosophical perspective provides different dimensions of thinking. According to phenomenological theory, the China Garden Museum, as a space that carries collective memory and personal experience, is jointly constructed by the experience and consciousness of visitors. Each visitor's experience here is unique, giving this place a rich personal meaning. The pragmatic view is that the museum is not only for displaying traditional garden art, but also an important place to promote cultural exchange and education. It helps the public better understand Chinese traditional culture and its modern value through physical exhibitions and interactive experiences, thereby stimulating people's interest in learning and research. In the framework of existentialism, the Chinese Garden Museum prompts people to think about the relationship between personal identity and cultural heritage. Faced with these exquisite garden works, visitors may reflect on their role in cultural heritage and realize that everyone has the responsibility to protect and promote excellent cultural heritage and promote the cultural progress of society. In summary, whether from the perspective of Eastern or Western philosophy, the Chinese Garden Museum is a cultural bridge connecting the past and the present, the material and the spiritual. It is not only a memory of traditional garden art, but also an inspiration for future actions, reminding us to cherish cultural heritage, inherit historical wisdom, and actively contribute to social harmony and development.