The Ming Tombs are located at the foot of Tianshou Mountain, about 50 kilometers away from Beijing. The mausoleum area is surrounded by mountains, with a plain in the middle. There is a winding river in front of the mausoleum, with beautiful mountains and rivers and pleasant scenery. The thirteen imperial tombs were all built on the mountain, on the foot of the east, west and north sides, forming a complete, large-scale and magnificent mausoleum complex. The sorcerers of the Ming Dynasty believed that this was a "feng shui" wonderland and an excellent "auspicious land". Therefore, it was selected by the Ming Dynasty as the "longevity domain" for the construction of imperial tombs. The mausoleum was built in 1409 and has a history of more than 300-600 years. The mausoleum area covers an area of 40 square kilometers. It is the largest existing imperial mausoleum complex in China and even in the world, with the most mausoleums of emperors and empresses. The Thirteen Tombs is a naturally standardized mountainous area. Its mountains belong to the remnant of Taihang Mountain, connecting to Juyong in the west, Huanghua Town in the north, and Changping Prefecture in the south. It is not only a barrier for the mausoleums, but also a northern screen for the capital. Taihang Mountain starts from Zezhou, winding northward for thousands of miles, and reaches Juyongguan, where thousands of peaks stand tall and winding eastward, rising from the ground to become Tianshou Mountain (formerly known as Huangtu Mountain). The mountain is lofty, majestic, broad, and powerful. Gu Yanwu, a famous scholar in the late Ming and early Qing dynasties, once wrote a poem to describe the superior situation here: "The mountains come from the south, like a flying dragon; the east foot sits on Lulong, the west ridge gallops Taihang; the rear is sitting on Huanghua (referring to Huanghua Town), and the front faces the capital; there is a Wannian residence in the middle, named Kangjiazhuang; it can accommodate millions of people, and the Mingtang is suddenly opened." This beautiful natural landscape was regarded as a Feng Shui treasure land by feudal rulers. The Ming Tombs are both a unified whole, and each mausoleum is an independent unit, and the specifications of the mausoleums are similar. Each mausoleum was built in front of a mountain. The distance between the mausoleums is as little as half a kilometer and as much as eight kilometers. Except for Siling, which is located in the southwest corner, the rest are fan-shaped and arranged on the left and right of Changling. Under the guidance of traditional Chinese Feng Shui theory, the Ming Tombs, from site selection to planning and design, paid great attention to the harmonious unity of mausoleum buildings and natural mountains, rivers and vegetation, pursuing the perfect state of "made by heaven and earth" to embody the philosophical view of "harmony between man and nature". As an outstanding representative of ancient Chinese imperial tombs, the Ming Tombs show the rich connotation of Chinese traditional culture. This layout of building mausoleums on the mountain has also been praised by foreign experts. For example, the famous British historian Joseph Needham said: The imperial mausoleum is a major achievement in Chinese architectural form. The content of its entire pattern may be the greatest example of the combination of the entire architectural part and landscape art. He commented that the Ming Tombs are "the greatest masterpiece". His experience is that "from the gatehouse, you can enjoy the view of the entire valley, and contemplate its solemn scene on an organic plane. All the buildings in the meantime are integrated with the scenery, and the wisdom of the people is well expressed by the skills of architects and builders." British urban planner Edmund Bacon also highly praised the artistic achievements of the Ming Tombs. He believed that "the most magnificent example of 'movement' in architecture is the tomb of the emperor of the Ming Dynasty." He pointed out: the layout of the mausoleum complex built on the mountain "is so magnificent, and the volume within the entire valley is used to commemorate the dead king." They vividly depicted the organic combination of Ming Tombs architecture and natural landscape. In 2003, the Ming Tombs were included in the World Heritage List. The World Heritage Committee commented: The royal tombs of the Ming and Qing Dynasties were carefully selected according to the Feng Shui theory, and a large number of buildings were cleverly placed underground. It is the product of human change of nature, embodies traditional architectural and decorative ideas, and explains the world view and power view of feudal China that lasted for more than 5,000 years. The Ming Tombs are the general name for the royal mausoleums of the 13 emperors after the Ming Dynasty moved its capital to Beijing. They are Changling (Chengzu), Xianling (Renzong), Jingling (Xuanzong), Yuling (Yingzong), Maoling (Xianzong), Tailing (Xiaozong), Kangling (Wuzong), Yongling (Shizong), Zhaoling (Muzong), Dingling (Shenzong), Qingling (Guangzong), Deling (Xizong), and Siling (Sizong), so they are called the Thirteen Tombs. The scenic spots that have been opened in the scenic area include Changling, Zhaoling, Dingling, and Shenlu. It is one of the best preserved mausoleums of Chinese emperors. In 2011, the National Tourism Administration approved the Ming Tombs Scenic Area as a national 5A-level tourist attraction.
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Philosophy related to the heritage
Interpretation of the Ming Tombs from the perspective of Eastern philosophy From the perspective of Eastern philosophy, the Ming Tombs are not only a symbol of ancient Chinese imperial power, but also a manifestation of the ideas of yin and yang, the five elements, and the unity of man and nature. The site selection, layout, and architectural style of the tombs all follow the Feng Shui theory, striving to coexist harmoniously with the natural environment and achieve the state of "unity of man and nature". The orientation of the tombs and the trend of mountains and rivers are all considered to be connected with the qi of heaven and earth to bless the permanence of the royal family and the prosperity of the country. The "Tao follows nature" emphasized by Eastern philosophy has been fully reflected in the planning of the Ming Tombs. Every detail contains respect and compliance with the laws of nature. Interpretation of the Ming Tombs from the perspective of Western philosophy From the perspective of Western philosophy, the Ming Tombs can be interpreted as a philosophical reflection on power, memory, and time. Western philosophy, especially existentialism and historical philosophy, focuses on the relationship between individuals and society, time and space. As the mausoleum of the Ming emperors, the Ming Tombs are the material manifestation of power. It not only records history, but also symbolizes the eternity of power and the passage of time. The concept of "eternal return" in Western philosophy can echo the eternity of the Ming Tombs. The magnificence and exquisiteness of the tombs are an eternal memorial to the deceased emperors and a philosophical expression of human pursuit of immortality. At the same time, the existence of the Ming Tombs has also triggered deep thinking about life, death and memory. It is not only a remembrance of the past, but also a warning to the future, reminding people of the nothingness of power and glory, and the irreversibility of time. Through the dual interpretation of Eastern and Western philosophy, the Ming Tombs are not only a historical relic, but also a philosophical thinking space. It spans time and space, connecting the past and the future, nature and humanity, life and death, power and time, and inspires people to reflect deeply on the meaning of life, historical memory, and natural laws.