Intangible culture with Related Tags

According to the tag you have selected, we recommend related intangible culture that you might be interested in through an AI-based classification and recommendation system.
...
Noodle soup

Dough figurine is an art form that uses flour as material and uses kneading, rubbing, cutting, picking, pressing, sticking, and pasting to create shapes. The dough figurine art of "Dough Man Tang" in Tongzhou, Beijing is one of its schools. The dough figurine art of "Dough Man Tang" began in the late Qing Dynasty, and its style was founded by Mr. Tang Zibo (1882-1971), a famous dough figurine artist in modern times. With his profound artistic skills, Mr. Tang Zibo has extensively absorbed the characteristics of sculpture art from various places in his long-term practical activities, and changed the previous folk dough figurines from "lottery-style" dough figurines to "tray-style" desk dough figurines, thus making dough figurines a real folk art. Since then, "Dough Man Tang" has successively created "walnut dough figurines" (fine dough figurines displayed in half a walnut), relief dough figurines, hanging dough figurines, and money-making dough figurines. The materials used include flour, pottery, wood, mud, etc., and wool, feathers, silk thread, cotton and other materials are used to make the beards and hair of people and animals to enhance the effect of resemblance. The dough sculptures of "Noodle Man Tang" are full and full, slightly exaggerated in shape, bright and eye-catching in color, with various production techniques, focusing on spirit and dynamics, and have distinct style characteristics. Today, Mr. Tang Suguo, the second son of Tang Zibo, has inherited the dough sculpture art of "Noodle Man Tang". Due to the high requirements for its production skills, there are currently only two students learning dough sculpture art from Mr. Tang Suguo.

Heritage with Related Tags

According to the tag you have selected, we recommend related heritage that you might be interested in through an AI-based classification and recommendation system.
Memorial Hall of the Work-Study Movement in France

The main building of the memorial hall is a typical quadrangle with brick and wood structure in the late Qing Dynasty. The main gate (the original gate of Baoding Yude Middle School) faces east and sits west. On the lintel hangs a brown plaque with golden characters, which reads the handwritten inscription of Jiang Zemin, General Secretary of the CPC Central Committee: "Memorial Hall of the Work-Study Movement in France". Step onto the stone steps, pass through the gatehouse, and enter the quadrangle with blue bricks. The three-room hall in the middle of the courtyard divides the quadrangle into two parts, front and back, and the two sides of the hall are connected to the front and back yards.

Cao Yu Memorial Hall

Cao Yu's former residence is located on the east side of Minzhu Road, Hebei District, Tianjin. It faces east and west, and is a two-story brick-and-wood structure, built in the late Qing Dynasty. It is bounded by the courtyard wall of No. 21 Minzhu Road in the east, the courtyard wall of No. 27 Minzhu Road in the west, and the courtyard wall of No. 23 Minzhu Road in the north and south.

Cao Yu's Former Residence

Cao Yu's former residence is located on the east side of Minzhu Road, Hebei District, Tianjin. It faces east and west, and is a two-story brick-wood structure building that was built in the late Qing Dynasty. It is bounded by the courtyard wall of No. 21 Minzhu Road in the east, the courtyard wall of No. 27 Minzhu Road in the west, and the courtyard wall of No. 23 Minzhu Road in the north. The existing courtyard is narrow, with a two-story building and five bungalows. No. 23 Courtyard (front yard) faces south and north, and has the same environment as above, with a two-story corridor and two independent small buildings in front and back. No. 23 Courtyard covers an area of 510.89 square meters and a construction area of 483.29 square meters. No. 25 Courtyard covers an area of 401.55 square meters and a construction area of 343.82 square meters.

Tianjin Shijia Courtyard (Tianjin Yangliuqing Museum)

Shi Family Courtyard is located in the center of Yangliuqing, a thousand-year-old town, on the bank of the South Canal where the Beijing-Hangzhou Grand Canal flows through Tianjin. It was originally the residence of Shi Yuanshi, one of the Eight Great Families of Tianjin in the late Qing Dynasty. The Shi family was originally from Shandong. After their ancestors made their fortune in the grain transport industry, they settled in Yangliuqing during the Qianlong period of the Qing Dynasty. In the third year of Daoguang in the Qing Dynasty (1823), the Shi family divided their property into four main gates, namely Fushan Hall, Zhenglian Hall, Tianxi Hall, and Zunmei Hall. Each gate has a large-scale building. The current Shi Family Courtyard is the only remaining "Zunmei Hall" mansion, which was once known as "the first family in Tianjin" and "the first house in North China".

Lingshui Juren Village

Lingshui Village is located in Zhaitang Town, Mentougou District, Beijing. It is one of the ancient villages with the most cultural heritage in the ancient villages in western Beijing. It is 78 kilometers away from Beijing and 14 kilometers away from the town government. Lingshui Village is 430 meters above sea level and has a settlement area of 64,000 square meters. It is high in the northwest and low in the southeast, and is slightly rectangular. As early as the Liao Dynasty, the village had a considerable scale. After generations of development, it reached its peak in the late Qing Dynasty and the early Republic of China. At that time, there were 360 households in the village with a population of more than 2,000. The ancestors of Lingshui chose a place to build the village based on the theory of "feng shui" and decided to build the village in the shape of a turtle. The entire village is surrounded by mountains, enclosed and closed, attached to the yin and embraced the yang, hiding the wind and gathering the qi, advancing from the east and collecting from the west, forming a natural pattern of "harmony between man and nature".