Suichang, with a history of more than 1,700 years, has rich cultural and natural resources. According to historical records, Suichang belonged to Wu during the Xia, Shang and Zhou dynasties, to Yuegumie during the Spring and Autumn Period and the Warring States Period, to Taimo County of Kuaiji County during the Qin Dynasty, and to Taimo County of Kuaiji County of Yangzhou Prefecture during the Western Han Dynasty. In the 23rd year of Jian'an (218) of Emperor Xian of the Eastern Han Dynasty, Sun Quan divided the southern part of Taimo County to establish Suichang County, and it has not changed since then despite several changes. Black pottery is a precious relic of the Langzhu Culture and Haochuan Culture of the late Neolithic Age, and a treasure of oriental ceramic art. The black pottery culture is deeply influenced by the "Liangzhu Culture" and "Haochuan Culture" of the Chinese nation, and can be regarded as a shining pearl nurtured in the long history of the Chinese nation. The black pottery culture, which is praised by all walks of life in today's society as "the art of earth and fire, the crystallization of strength and beauty", is a great factor that influenced the ideological connotation and cultural system of early China, and played an important role in promoting the development of human history. As a plastic art, it is independent of the world culture with its inherent style and magical charm, showing the outstanding creative talent and great artistic perception of our ancestors. With its profound historical background and rich cultural connotation, it constitutes an important part of the Chinese cultural system. It has a delicate body, fine carvings, simple and solemn, antique and has a unique aesthetic value. Black pottery crafts are excellent for decorating the environment and have a high collection value. In the 1980s, due to the increase in the collection of folk handicrafts and the increase in market demand, as well as the understanding of the market economy, the founder of Suichang Modern Black Pottery, Lv Heqing, and the Zhejiang folk artist and young ceramic artist Tang Jianhua, with their passion for the pursuit of ceramic art, with the support of Bao Zongren, the founder of Suichang Black Pottery Enterprise, and other knowledgeable people, began to engage in scientific research in the late 1980s, officially started production in 1990, and passed the provincial appraisal of new product research and development in October 1992. Over the past decade, the firing technique of Suichang black pottery has been continuously inherited and carried forward in the hands of two black pottery artists. The number of artists who master the firing technique of black pottery has also grown from only two people at the beginning to more than ten people now. The development of Suichang black pottery is developing from the original small manual workshop form to the form of cultural industrialization. Suichang black pottery is widely used due to the rapid, wheel, pottery and sealing kiln technology. The vessels made are black (black as black as lacquer), thin (vessel wall is very thin), shiny (smooth luster), and button (the shape has nose, ears, lid button, spout, foot, buckle and other various ornaments and functional parts suitable for use). Its firing technique is unique, sophisticated and highly regional. This handicraft is completely handmade. It goes through several processes from mud selection, washing to embryo making, embryo repair, carving, etc. It uses the unique traditional sealing kiln technology to perform carburizing process firing. It is not polished, but shiny all over and makes a sound when knocked. It is indeed a unique folk pottery. The specific firing process is as follows: 1. Select only small particles, dry and clean clay materials, put them into the pool and melt them fully, then wash them, and then filter and precipitate them until the clay materials are dried to maintain a certain humidity. 2. The clay is repeatedly kneaded by hand and stored for decomposition, and the aging time is more than 15 days. 3. The molding is all hand-pulled embryos. After the rough embryos are formed, they are naturally dried indoors to a certain extent, and then the embryos are repaired until the product meets the standard specifications. 4. Carving: Before carving, check whether there are sand or keratin on the surface of the pottery embryo. After cleaning, they need to be completed, and then manually pressed until carving, and dried after carving. After drying to a certain extent, it is necessary to press the light evenly again, so that the whole product looks shiny. 5. After the semi-finished product is accepted, it enters the drying room and is baked for 3 to 5 days. It enters the kiln to start the firing process. It usually takes about 24 hours, and then the kiln door is closed to allow carbon elements to penetrate into the embryo until it cools. It takes more than 36 hours to cool before it leaves the kiln, which is the finished product.