Folk weaving has a long history. According to archaeologists, it had matured as early as the slave society. Since the Southern Song Dynasty, Huang Daopo's weaving technique has been widely spread across the country. In Songjiang Prefecture, "cotton cloth is available in every inch of land, and there must be a loom in every ten rooms", and weaving and weaving are popular in thousands of households. Folk weaving has spread to Nanhui Wanxiang and other places for more than 200 years. In the late Qing Dynasty and early Ming Dynasty, most peasant women were skilled in weaving, and there were many descendants. To this day, it is still spread in the seven administrative villages of Wanxiang Town, especially Wanlong, Wanxing, Wanhong, Xinjian and other villages. The more representative one is the four generations of descendants of Sheng Jinjuan, a master of weaving in Wanlong Village, and the surrounding neighboring women often weave warps and exchange skills. In the past, in people's daily life, belts, garters, skirt belts, braces, various packing belts, brides' bedding belts, and various weaving belts tied on the carrying plate were all inseparable from folk weaving. Therefore, folk weaving was an important supplement to rural family income in history. According to the "Qin Zhi" in the Yongzheng period of the Qing Dynasty, "Men's farming income, apart from paying the government interest, their food and clothing all depend on women", "Women weave to help with food and clothing". The folk weaving in Wanxiang and even the entire Nanhui area is exquisitely crafted. After the artistic accumulation of successive generations of peasant women, a wide band of 300 mm and a narrow band of 5 mm have been formed. There are more than 10 styles of wide bands, including shepherd's purse flowers, curved dragons, silver chains, three sheep, Wang characters, and three sheep; there are more than 10 styles of narrow bands, including waist diamond belts, horizontal belts, Mai character belts, and jujube flower belts. Folk weaving is permeated with the profound cultural and historical heritage of the Chinese nation, and carries the cultural origin genes of the branch of the Chinese nation Huang Daopo's weaving technique. At the same time, it contains colorful artistic patterns. At present, with the development of modern industry and the acceleration of urbanization, Shanghai's folk weaving skills are on the verge of extinction. Therefore, protecting, inheriting, pioneering, and innovating folk weaving is of great significance to maintaining social life, folk skills, and national culture.