The Taoist music of Zizhu Temple in Lufeng has a long history. As early as the Jin Dynasty, the uprising of Lu Xun and other Taoists failed, and some of the remaining people were scattered to Hailufeng, scattered along the coastal ports and islands, which was historically known as "Luting". Since then, Hailufeng has had Taoism, Taoists, Taoist temples, Taoist music, etc. Zizhu Temple originated from the Yuqing Palace of Jiazimen in the Song Dynasty. In the 27th year of Emperor Kangxi of the Qing Dynasty (1688), it was moved to Donghaijiao Caiyuanzai in Lufeng County and called "Jueshengtang". The original site has been preserved to this day. During the Qianlong period of the Qing Dynasty, it was moved again to Dafeng Mountain in Hukou, Hexi Town, Lufeng City, and the "Jueshengtang" was changed to "Zizhu Temple", commonly known as "Hukou Nunnery". Zizhu Temple covers an area of more than 1,200 square meters and a construction area of more than 860 square meters. The overall construction consists of three halls: front, middle and back. The front hall enshrines "Wang Lingguan"; the middle hall is "Jade Emperor", with Taoist ancestors such as Lu Chunyang and Qiu Changchun on the left and right; the back hall: Tianguan, Diguan, Shuiguan and Nanchen Beidou Xingjun, etc. It belongs to the lineage of the Longmen School of Quanzhen Sect. The Taoist music of Zizhu Temple is divided into two parts: one is the ritual music for Taoists to recite in the morning and evening; the other is the music for the ritual of the birth of gods. The chanting music is completely based on the original, and has been passed down from generation to generation without any change. The singing is tortuous, so the proverb says "smart actors, stupid masters". It means that they stick to tradition and do not know how to change. However, its historical value, artistic value and scientific value are worthy of praise. The music for the morning and evening lessons is mainly played by blowing. The percussion instruments are accompanied by cloud gongs, three-tone, small cymbals, seven-tone, sandalwood boards, wooden fish, etc.; the string instruments are accompanied by large orchestras, phoenix shao, or guzheng, and in modern times, yangqin, three-string, etc. The tune is graceful and fresh. The dance is elegant and the steps are light. It makes people feel something. The music for fasting and offering sacrifices is accompanied by big drums, big gongs, big blowing, big cymbals, big cymbals, etc., which is as powerful as a rainbow. It resounds through the sky. It is extremely penetrating and makes people feel heroic. There are rich tunes, including morning chanting songs (full set), evening chanting songs (full set), Sanguan Sutra songs (full set), Qingjing Sutra songs (full set), Nandou Sutra songs (full set), Beidou Sutra songs (full set), Yuhuang Repentance (full set) and Sanyuan Repentance (full set), totaling more than 220 pieces. It can be played for three days and three nights, which is called "three days". In the old customs of Hailufeng, people compare watching T-foot drama (that is, drama played by Taoist music) with local drama (rooftop drama). Its cultural and entertainment value should be valued. Taoist music is an important part of Chinese folk music and an outstanding contribution to the treasure house of Chinese national art. Taoist music originated from the chanting of Taoist scriptures. It has elegant tunes and extraordinary charm, and is deeply loved by people. Her Taoist scripture tunes mainly come from the Taoist temple in Putuo Mountain, Zhejiang. Later, it gradually integrated into the local opera music of Hailufeng, thus forming the Taoist music of Hailufeng with strong local characteristics, especially the Beidou Sutra, which is more full of Hailufeng characteristics. In the past ten years, the local cultural department has sorted out the Taoist sutras into music scores and studied them. In April 1999, it was compiled into the history of the "Guangdong Volume of the Collection of Chinese National Folk Instrumental Music" as the main representative work of Taoist music in Guangdong Province. In October of the same year, it participated in the first Guangdong Taoist Association's Wanyuan Dharma Assembly and altar performance held in Yuanxuan Taoist Temple in Huadu, Guangzhou. It was well received by the leaders of the national and provincial associations, and gifts were given as a permanent commemoration, which greatly enriched the treasure house of folk music art in my country and provided valuable information for the study of the origin of folk music in Guangdong Province. The Taoist sutra tunes of Zizhu Temple in Lufeng have academic research value. With its large number of repertoires, ancient instruments and self-contained notation methods, it continues the bloodline of Chinese music since the Han and Tang Dynasties and is of great academic research value. In the past ten years, the research on most of the Taoist sutras of Zizhu Temple has achieved considerable results. It not only has high academic research value in music, but also has high academic research value in human ethics, linguistics, folklore, and the history of cultural exchange between China and foreign countries. It is not only loved by the local people, but also highly appreciated by friends at home and abroad, and has high aesthetic value. Zizhuguan Taoist music is a manifestation of the life form of the locals, and also a way of survival, with the significance of cultural identity. It is a precious cultural heritage. In October 2009, Zizhuguan Taoist music was selected into the third batch of intangible cultural heritage list of Guangdong Province.