The Beijing Liyuan is located in Pingfang, Chaoyang District, at the southeast corner of the intersection of the Airport Second Channel and the East Fifth Ring Road. It has convenient transportation and a superior geographical location. The park covers an area of 930 mu. It was originally an ecological forest Fengshui pear orchard and nursery. In 2007, it was one of the parks built in Beijing's "Suburban Park Ring" and was comprehensively upgraded and renovated. It was officially opened on the eve of May 1, 2008, and is one of the suburban parks open to tourists for free. "Liyuan" as an official department for teaching singing, dancing, music and acrobatics began in the Tang Dynasty. With the evolution of history, "Liyuan" has become a synonym for Chinese traditional culture--opera. The five groups of flower stands in the Liyuan Xiaoyu symbolize the five types of roles in opera, namely Sheng, Dan, Jing, Mo and Chou. It is a place for Liyuan fans and opera fans to exchange and practice. The Beijing Grand Theater and Opera Museum will soon be built in the northwest of the park, which will coordinate and echo the theme of the Beijing Liyuan and enrich the cultural connotation of the Beijing Liyuan. The completion of the Beijing Pear Garden is a gratifying achievement in implementing the scientific development concept and accelerating environmental construction in Pingfang District. It is a beneficial measure for the district to pay attention to people's livelihood and build a harmonious society. It is also a great gift for the local people to welcome the Olympic Games, fully support the Olympic Games and successfully hold the Olympic Games in Beijing. After the opening of the Beijing Pear Garden, it enriched the cultural life of the masses, improved the functions of the city, and enabled citizens to cultivate their character, amuse themselves and improve their intelligence in a beautiful ecological environment, thus constructing a harmonious picture of harmony between man and nature, and unity between heaven and earth and man.
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Philosophy related to the heritage
Interpretation of Beijing Opera from the perspective of Eastern philosophy In Eastern philosophy, especially Chinese philosophy, the concept of "unity of man and nature" and "harmonious coexistence" is emphasized. As a carrier of Chinese traditional culture, especially the performance place of Peking Opera art, the existence and evolution of Beijing Opera reflects this philosophical thought. Every move and every song in the opera is a vivid interpretation of the harmonious coexistence of nature and humanity. Through body language and singing, the actors integrate their inner emotions with the natural scenery of the outside world, reaching a state of "forgetting both the self and the world", which is exactly the embodiment of the "Tao follows nature" pursued in Eastern philosophy. At the same time, the architectural layout of the opera often follows the Feng Shui theory and strives to coordinate with the qi of heaven and earth, which is also the embodiment of the idea of "conforming to nature" in Eastern philosophy. Interpretation of Beijing Opera from the perspective of Western philosophy From the perspective of Western philosophy, Beijing Opera can be interpreted as a "philosophy of aesthetics and art". Western philosophy, especially since ancient Greece, has had an in-depth discussion on aesthetics and art. As a performance venue for Peking Opera, the Beijing Liyuan, with its artistic form and content, reflects the pursuit and understanding of "beauty" in Western philosophy. In Western philosophy, art is seen as a means of transcending reality and pursuing ideals and truth. The performances in the Beijing Liyuan convey profound emotions and philosophy through highly stylized movements and singing, which is consistent with the view that art is the "manifestation of truth" in Western philosophy. At the same time, the theater design of the Liyuan also reflects the thinking of "form and function" in Western philosophy, that is, how to enhance artistic expression and audience experience through spatial layout and design. In summary, whether from the perspective of "harmony between man and nature" and "harmonious coexistence" in Eastern philosophy, or from the perspective of "philosophy of aesthetics and art" in Western philosophy, the Beijing Liyuan has demonstrated its unique philosophical connotation and cultural value.