Gu'an Liu Lingcang Guo Muxi Art Museum can be interpreted from the perspectives of Eastern philosophy and Western philosophy. From the perspective of Eastern philosophy, the art museum represents a pursuit of "Tao". Eastern philosophy, especially Taoist thought, emphasizes conforming to nature and governing by inaction. In the design and exhibition of the art museum, we can feel a simple and peaceful atmosphere, as if it is a harmonious symbiosis between man and nature, man and art. Through the expression of art, it reflects the flow and change of life, highlighting the spirit of "Tao follows nature". The art museum is not only a display of culture, but also a space for thinking and perception, like a place for relaxation and meditation, which fits the concept of "invisible beauty" in Eastern philosophy. From the perspective of Western philosophy, the art museum is more like a reflection of Plato's world of ideas. In Western philosophy, art is often regarded as a way to pursue truth and beauty. Every work of art in the art museum may be regarded as a presentation of truth, trying to touch the deep level of the human spiritual world. Western philosophy emphasizes the tension between rationality and sensibility. The art museum provides a diversified platform for dialogue between vision and thought by exhibiting works of art of different styles. Overall, the Gu'an Liu Lingcang and Guo Muxi Art Museum combines the Eastern natural way and Western rational exploration, embodying the integration and complementarity of Eastern and Western philosophy.