Nanchang Qingyin is popular in Nanchang and Xinjian counties, as well as Yichun, Shangrao, Ji'an and Jingdezhen. It flourished in the early years of the Jiaqing period of the Qing Dynasty. Yangzhou Qingqu had a great influence on it, and it also absorbed the ditty introduced from neighboring provinces such as Hubei, Hunan and Anhui, and added the local popular folk tunes, so the tunes tended to be richer. In its continuous development process, it also absorbed nutrients from operas such as Gan Opera and Nanchang Tea Picking Opera, and formed its own singing style. The singing is mostly performed by female actors who beat the bangu themselves, and the accompaniment is mostly blind. The instruments include erhu, pipa, dulci, yueqin, etc. In terms of music, ditty is the main part, and Wen Nan Ci is the supplement. There are more than 60 ditty tunes, some of which are sung with multiple lyrics, such as "Wu Geng Xiang Si" and "Zhao Hua Tai"; there are also tracks that are sung with multiple tunes, such as "Ten Scenes of East Lake in Nanchang", which is composed of 10 tunes such as Fresh Flower Tune, Red Embroidered Shoes, Jade Beauty, Entering the Orchid Room, and Nine Links. Traditional repertoires include "An'an Sends Rice", "Song Jiang Kills Love", "Wang Po Scolds the Chicken", "The Monk and the Nun's Fate", etc. Representative works: "Five Hours of Longing", "Zhaohuatai", "Ten Scenes of Nanchang East Lake", "An'an Sends Rice", "Song Jiang Kills Love", "Wang Po Scolds the Chicken", "The Monk and the Nun's Fate"