Single-player gong and drum rap is a famous brand of folk art in our province. It ranks at the forefront of Hunan Quyuan rap art and enjoys a certain reputation at home and abroad. Single-player gong and drum rap is a form of folk art rap in which the performer operates 64 musical instruments, playing, beating, stepping, pulling, and rapping in reverse order to narrate the story. It wins by being unique and winning by being few. It is a unique local skill of Hunan. Such a rich, complete, and refined program is also unique in the country. He won seven international awards in the World Folk Art Competition in Poland, and has won many awards in national performances. He has also participated in major performances such as the Shanghai TV Exhibition Festival, the Xi'an International Ancient Culture and Art Festival, the Spring Festival Gala of the Six Provinces in Central and South China, the Sixth National Congress of Literature and Art, the National Film Work Conference, the Qingdao International Tourism Festival, the Fanjingshan International Landscape Festival and the Shanghai World Expo. When performing in Japan, Europe and other countries, he was praised by foreign friends as a "magical gong and drum machine". CCTV, Quyuan Zatan, Huanjuyitang and other media all called him "the best in China". "Chinese Quyi Chronicle", "Encyclopedia of China", "Chinese Opera and Quyi Dictionary" and other publications all have special reports on single gong and drum. Single gong and drum is a major genre of Chinese quyi. The single gong and drum rap form originated from the "one-person gong and drum accompaniment" in the shadow play with a history of more than 2,000 years. It is called "Yibazhu" in Hunan and is widely circulated in southern Hubei and northern Hunan. Later, under the continuous inheritance and development of Li Dihui and his father's generation of teachers, "Xiangbei Talking Drum" was integrated into the quyi rap industry to form this brand. According to old artists, Xiangbei Talking Drum is the "cihua" of Yuan and Ming dynasties. The original single-person gong and drum performance refers to "one person in the drum circle carries a golden gong and big banknotes", and there are several people singing around. The program is like talking and singing, and the singing and singing have rhythm, and the words and sentences are sung. The transition from one section to another is sung at the segment. The upper rhyme is cut off, and the lower rhyme guides the way and adds suona to support the background. This form has a history of no less than 120 years since modern times. In the late 1950s and early 1960s, Li Dihui, who was transferred from Huarong County Flower Drum Opera Troupe to Huarong County Shadow Puppet Troupe as the head of the troupe, was determined to bring this ancient form left by his fathers to the stage and give full play to his all-round expertise in playing, playing, singing and playing. It happened that during a county-wide evening party to send off new recruits, because the Peking Opera and Flower Drum Troupe were all sent down to the countryside, no one rehearsed, and the county party committee asked Li Dihui, who stayed in the county, to create a one-man show to express the close relationship between the army and the people. Li Dihui thought that this opportunity had come and it was just right to realize my dream. He immediately asked someone to make a simple gong and drum stand, and then put it on stage with huqin and suona to accompany the rap. Who knew that the first performance was a hit, which was a sensation and was warmly welcomed by the officers and soldiers of the recruiting troops and the cadres and masses of the whole county. This was out of control. The single gong and drum was a must-have program in various activities. When participating in the Yueyang District Festival, the program was favored by the Guangzhou Military Region Art Troupe. At that time, Li Dihui was transferred to join the army, but because the only son could not serve in the army, and the Yueyang area urgently needed to establish an art troupe, the district committee forced him to stay as the head and secretary of the troupe, and sent him to the Shanghai People's Art Theater for further study and directing, so he did not join the army. When the single gong and drum represented Hunan in the National Quyi Festival, it caused a sensation in Beijing and was well received by the central government and the capital's experts and audiences. Subsequently, Li Dihui was transferred to the Hunan Quyi Troupe to become a full-time rap actor and head of the troupe. For decades, Li Dihui has been tirelessly pursuing progress, integrating opera tunes, folk music, folk songs, modern music and quyi rap, learning from many strengths and being unique, giving the ancient art of single-player gong and drum rap a new lease of life, making it both traditional and contemporary. "Listen to a play from afar, watch a person from close" is the best evaluation of the audience for single-player gong and drum. He was born in an artistic family and a professional opera school. He first learned to sing flower drum from the master of flower drum opera He Dongbao, and then studied quyi rap under the master of Changsha tanci Peng Yankun. In addition, he can compose, match, direct and perform, so he has inherited and created many medium-length traditional and modern repertoires, and also wrote many good pieces that are close to life, close to the times, and close to the masses. Some have been published in major publications across the province and the country, some have won awards in competitions, and some have been performed as reserved programs and are active in various activities across the country. In particular, his unique ability of on-the-spot composing and improvising is eloquent, explosive, witty, and he can improvise and describe the vivid situation at the time and place vividly, and each time it receives a strong response, impressing the experts and audiences present.