Huaxian woodblock prints are a new type of woodblock prints that have not been discovered since the founding of New China. They were created in the early Ming Dynasty. The main production areas are concentrated in the area of Qianer Village, Cizhouzhai Township, Huaxian County. Due to the strict requirements for inheritors, the production skills have been inherited by local men with the surname Han for hundreds of years. Huaxian woodblock prints have always been handmade, with rough and exaggerated character modeling, strong and powerful lines, symmetrical and balanced composition, and bright colors. In terms of form, in addition to New Year pictures, Huaxian woodblock prints also have family genealogies, central halls, couplets and other forms of expression, reflecting the unique customs and habits of the local people. In terms of content, Huaxian woodblock New Year pictures are mostly based on figures of Buddhism, Taoism, and Confucianism, and gods worshipped by various industries; woodblock prints are based on figures, myths, allusions, mascots, etc. In addition, there are many words in the couplets of Huaxian woodblock prints, which are still difficult to decipher. Relevant experts believe that in addition to the similar production process, Huaxian woodblock prints are unique in both form and content. Its content contains a lot of cultural information, reflecting the folk beliefs of the agricultural civilization period, and it is a self-contained system. In addition, Huaxian woodblock prints have been passed down from ancient times by a single surname, which is also very rare in other places where New Year paintings are produced. It reaches six feet in length, and there are also god paintings like "Tian Ye" that are worshipped by almost every household, which is also five feet in length, and is also equipped with couplets, which is very suitable for hanging on the front wall of the main hall. Most of the small ones are the size of door paintings. In terms of painting style, large paintings are first printed with line ink and then colored. The artificially colored colors of Huaxian woodblock New Year paintings are mostly diluted with water, and are translucent, relatively elegant and delicate. Some are mainly fine brushwork and ink, with harmonious colors and vivid character modeling. If the painting is small, such as artificial coloring, the color is lighter, giving people more room for imagination. If the color is overprinted, it is mainly yellow, red, green, and vermilion. In terms of subject matter, Huaxian woodblock New Year paintings are mainly based on deities and family trees. The theme of "worshiping gods to protect homes and bring good luck and fortune, and harmonious coexistence of gods in heaven and earth" is very prominent. Among the carved deities, there are large statues of the seventy-two gods, including the Three Emperors of the Three Realms of Heaven and Earth, the Buddha, the Jade Emperor, the Thousand-Handed Guanyin, the Fengshan Old Lady, the Taishang Laojun, the God of Land, the Thunder God, the Child-Sending Guanyin (the Old Lady of the Child-Sending), the Ancestor of the Field (Shennong), the God of Wealth Bigan, the God of Wealth Guan Shengdijun (Guan Gong), and so on. There are also large statues named " The main deities of the 'Shenzhigesi' are the Jade Emperor, Guanyin Bodhisattva, Tianzu, Guansheng and Zengfu Caishen. The composition is arranged in layers, with a clear distinction between the primary and the secondary. The panels are complex, clear and beautiful. Most of these are native gods that have been closely related to the production and life of the Chinese people for thousands of years and have been believed in for a long time. The Jade Emperor embodies the reverence for heaven, the Tianzu Shennong opened up agricultural planting and has a lofty status in a society based on agriculture, Guanyin is widely believed in for saving the suffering and the distressed, and Guandi is loyal and righteous. Qianqiu, and later formed the Wenwu Caishen with Bigan to give wealth and blessings to the world. It fully reflects the worship and belief of the people in the Central Plains and has profound cultural connotations. The second is the "Zhong Kui Catching Ghosts" type, which is rough and bold, exaggerated and beautiful. This picture is usually posted on the inner wall of the bed to avoid ghosts and evil spirits, eliminate diseases and protect the house, and has been popular among the people for many years. In addition, Huaxian woodblock New Year paintings also have a kind of "literary spirit". It combines words and paintings very well, and often connects couplets, horizontal scrolls and pictures together. The words and paintings match, and they are elegant and atmospheric. This is also a way that Chinese people like very much. The painting is in the middle, and the text is in the couplets around the painting. The couplets and paintings are connected to form a whole. The text is basically divided into three categories: one is Chinese characters, which mostly express the worship of gods; the second is Manchu, because Huaxian woodblock prints were once sold in large quantities to Northeast my country; the third is the text that is still difficult to identify and needs to be further deciphered. It has a bit of the flavor of seal script, which is not quite the same as Chinese characters. It is basically round and resembles flower and bird characters.