Longhushan Zhengyi Taoist Music (the fourth batch of national level) Zhengyi Taoist music has a long history. It is not only a part of Chinese traditional music culture, but also has its own special content that exists and develops independently as a religious form. Tianshi Taoist music is an indispensable part of the ritual of fasting and offering sacrifices. Ge Hong of Jin Dynasty said in "Baopuzi Daoyi Pian": "clashing gold and leather, singing and jumping, bowing and kneeling, guarding the emptiness and sitting, begging for blessings and wishes." It expresses a religious thought of heaven and man's induction and communication between man and God. For more than a thousand years, Tianshi Taoist music has developed on the basis of the integration of folk music and southern drama music. It has widely absorbed the court music since the Tang and Song Dynasties. Its regional characteristics are mainly based on the "Yiyang Tune" of Jiangxi Gan Opera, and the "Shangqing Tune" created by Taoism is the main tune. After the Song and Yuan Dynasties, Zhang Tianshi "is in charge of the Three Mountains Talisman" and "is in charge of Taoist affairs in the world", so Tianshi Taoist music has greatly influenced the major Taoist sects in Jiangnan. In the first year of Anyuan in the Eastern Han Dynasty (142 AD), the first generation of Tianshi founded Taoism. In the folk magic of "drinking talisman water" and "reciting spells", it was already popular to beat drums and pots to set off the atmosphere during the practice. This was the original state of Tianshi Dao music. As an indispensable part of the ritual of fasting and offering, Tianshi Dao music has an inseparable relationship with the "communication with gods" of the ritual of fasting and offering. Ge Hong of the Jin Dynasty said in "Baopuzi Daoyi Pian": "Beat the gold and strike the leather, sing and dance enthusiastically, bow and kneel, sit in the clear and empty, and beg for blessings and wishes." It expresses a religious thought of the connection between heaven and man, and the connection between man and god. For more than a thousand years, Tianshi Dao music has developed on the basis of the integration of folk music and southern drama music. It has widely absorbed the court music since the Tang and Song dynasties. Its regional characteristics are mainly based on the "Yiyang Opera" of Jiangxi Gan Opera, while the "Shangqing Opera" created by Taoism is the main tune. After the Song and Yuan Dynasties, Zhang Tianshi "was in charge of the Three Mountains" and "in charge of the Taoist affairs of the world", so Tianshi Dao music greatly influenced the major Taoist sects in Jiangnan. Therefore, Zhengyi Dao music has spread to provinces south of the Yangtze River, including the southwestern minority areas. The world-famous "Naxi Ancient Music" and the famous erhu piece "Erquan Yingyue" have a close blood relationship with the music of Zhengyi Daoism. In addition to the unified scripture rhyme (recitation) part of Zhengyi Dao music, the performance of other tunes has different local characteristics, which is similar to the "school" in drama, each embodies the characteristics of the "school" under the unified style.