Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Sun Temple, Konârak' has mentioned 'Well' in the following places:
Occurrence Sentence Text Source
According to Kapila Vatsyayan, the ground plan, as well the layout of sculptures and reliefs, follow the square and circle geometry, forms found in Odisha temple design texts such as the Silpasarini.
[23] Chlorite was used for the door lintel and frames as well as some sculptures.
[26] On other walls are found images depicting the daily life of the elite as well as the common people.
Notorious in the colonial era for their uninhibited celebration of sexuality, these images are included with other aspects of human life as well as deities that are typically associated with tantra.
These include images of musicians and mythological narratives as well as sculptures of Hindu deities, including Durga in her Mahishasuramardini aspect killing the shape-shifting buffalo demon (Shaktism), Vishnu in his Jagannatha form (Vaishnavism), and Shiva as a (largely damaged) linga (Shaivism).
For example, the medallions of the chariot wheels of the Surya temple, as well as the anuratha artwork of the jagamohana, show Vishnu, Shiva, Gajalakshmi, Parvati, Krishna, Narasimha, and other divinities.
It includes means to bring water, cisterns to store water, drains, a cooking floor, depressions in the floor probably for pounding spices or grains, as well several triple ovens (chulahs) for cooking.
[42] Well 1xc2xa0xe2x80x93 This monument is located north of the kitchen, towards its eastern flank, was probably built to supply water to the community kitchen and bhoga mandapa.
Near the well are a pillared mandapa and five structures, some with semi-circular steps whose role is unclear.
[43] Well 2xc2xa0xe2x80x93 This monument and associated structures are in the front of the northern staircase of the main temple, with foot rests, a washing platform, and a wash water drain system.
On the north and south sides are 24 carved wheels, each about 3 m in diameter, as well as symbolic motifs referring to the cycle of the seasons and the months.
Its scale, refinement and conception represent the strength and stability of the Ganga Empire as well as the value systems of the historic milieu.
Within the inscribed and protected extent of the property, its surviving structures and sculptures, as well as the dislodged remains preserved in-situ, represent its quintessential qualities of architectural form, design and sculptural relief.