Occurrence of Attributes in Original Text
The text related to the cultural heritage 'Painted Churches in the Troodos Region' has mentioned 'Wall' in the following places:
| Occurrence Sentence | Text Source |
|---|---|
| Church of Agios Nikolaos (St. Nicholas) tis Stegis in Kakopetria: An 11th-century monastery and the oldest surviving katholikon in Cyprus Agios Ioannis (St. John) Lampadistis Monastery in Kalopanagiotis: A 13th-century monastery Church of Panagia (The Virgin) Phorviotissa (Asinou) in Nikitari: A 12th-century church Church of Panagia (The Virgin) tou Arakou in Lagoudhera: A 12th century church Church of Panagia (The Virgin) in Moutoullas: A 13th-century chapel and the earliest example of steep-pitched wooden roofs Church of Archangelos Michael (Archangel Michael) in Pedoulas: A late 15th-century church Church of Timios Stavros (Holy Cross) in Pelendri: A church containing unique 14th-century wall paintings Church of Panagia (The Virgin) Podithou in Galata: An early-16th century church Church of Stavros (Holy Cross) Agiasmati in Platanistasa: A 14th-century church Church of Agia Sotira (of the Transfiguration of the Savior) tou Soteros in Palaichori Oreinis: A 16th-century church. | WIKI |
| Within Panagia tou Arakou in Lagoudera and St. Nicholas of the Roof are found important wall paintings from the Comnenian era, with the first being of exceptional artistic quality attributed to Constantinopolitan masters. | UNESCO |
| The 13th century, the early period of Latin (western) rule in Cyprus, is well represented in the wall paintings of St. John Lampadistis in Kalopanagiotis and in Panagia in Moutoulla, which reflect the continuing Byzantine tradition and new external influences. | UNESCO |
| The 14th century wall paintings at Panagia Phorbiotissa, Timios Stavros at Pelendri and St. John Lampadistis also display both local and Western influences, and to a certain degree, the revived art of Paleologan Constantinople. | UNESCO |
| Finally, the wall paintings of the Church of the Transfiguration of the Savior in Palaichori form part of the Cretan school of the 16th century. | UNESCO |
| Their good state of preservation is directly related to the actions taken by the state, as conservation works are carried out on a yearly basis to the buildings, the wall paintings and wooden furniture, as well as the surrounding areas of the churches. | UNESCO |
| The works undertaken for conservation of the structures and the wall paintings are implemented in a manner that respects the original material and its aesthetic value, without compromising the authenticity of the monuments. | UNESCO |