Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Monastery of the Hieronymites and Tower of Belém in Lisbon' has mentioned 'Construction' in the following places:
Occurrence Sentence Text Source
The construction of the monastery and church began on 6 January 1501, and was completed 100 years later.
For its construction he used calcxc3xa1rio de lioz, a gold-coloured limestone quarried from Ajuda, the valley of Alcxc3xa1ntara, Laveiras, Rio Seco and Tercena.
[2] Boitaca was succeeded by the Spaniard Juan de Castilho, who took charge of construction around 1517.
The construction came to a halt when King Manuel I died in 1521.
Several sculptors left their mark on this building: Nicolau Chanterene added depth with his Renaissance themes, while the architect Diogo de Torralva resumed construction of the monastery in 1550, adding the main chapel, the choir, and completing the two stories of the monastery, using only Renaissance motifs.
The construction stopped in 1580 with the union of Spain and Portugal, as the building of the Escorial in Spain was now draining away all the allocated funds.
[6] In 1640, the prior Bento de Siqueira ordered construction of the monastery's library,[6] where books owned by the Infante Luxc3xads (son of King Manuel I) and others linked to the religious order were deposited.
[7] After 1884, Raymundo Valladas began to contribute, initiating in 1886 the restoration of the cloister and the Sala do Capxc3xadtulo, including construction of the vaulted ceiling.
Boitac built the walls of the church as far as the cornices and then started with the construction of the adjoining monastery.
Juan de Castilho, a Spanish architect and sculptor, continued the construction in 1517.
The construction of this late-Gothic hall is aesthetically and architecturally a masterwork: it augments the spatial effect of this vast building.
Juan de Castilho finished the construction by giving the lower storey a classical overlay and building a more recessed upper storey.
The construction of such a cloister was a novelty at the time.
The corner bays are linked by a diagonal arched construction and show the richly decorated corner pillars.
The decorations on the outer walls of the inner courtyard were made in Plateresco style by Castilho: the arcades include traceried arches that give the construction a filigree aspect.
Of particular mention is the stone workmanship of the Monastery and Tower, where building materials are those used in the original construction.