Occurrence of Attributes in Original Text
The text related to the cultural heritage 'Monastery of Batalha' has mentioned 'Manueline' in the following places:
| Occurrence Sentence | Text Source |
|---|---|
| It is one of the best and original examples of Late Flamboyant Gothic architecture in Portugal, intermingled with the Manueline style. | WIKI |
| This master of the Manueline style worked on the portal of the Capelas Imperfeitas. | WIKI |
| But the Manueline, ogival stained-glass windows in the choir date from the 1520s and 1530s and were produced by Portuguese masters, among them Francisco Henriques. | WIKI |
| These pillars, designed by Diogo Boitac, are decorated with Manueline motives carved in stone. | WIKI |
| It was originally built in Gothic style, but was transformed beyond recognition by Mateus Fernandes into a masterpiece of Manueline style (completed in 1509). | WIKI |
| It is completely decorated into a lacework of sumptuous and stylized Manueline motives: armillary, spheres, winged angels, ropes, circles, tree stumps, clover-shaped arches and florid projections. | WIKI |
| The carved tracery decoration in Gothic style (including quatrefoils, fleurs-de-lis and rosettes) by Huguet in the ambulatory forms a successful combination with the Manueline style in the arcade screens, added later by Mateus Fernandes. | WIKI |
| It stands in contrast with the Manueline flamboyance of the somewhat larger Claustro Real. | WIKI |
| Batalha is the conservatory of several privileged expressions of Portuguese art: the sober architectural style of the end of the 14th century, with the stupendous nave of the abbatial, of which the two-storey elevation, with broad arcades and high windows, renders most impressive; the exuberant aesthetic of the capelas imperfeitas; the flamboyant arcades embroidered in a lace-work of stone: the Manueline Baroque even more perceptible in the openwork decor of the tracery of the arcades of the royal cloister than on the immense portal attributed to Mateus Fernandes the Elder; and finally, the hybrid style of Joxc3xa3o de Castilho, architect of the loggia constructed under Joxc3xa3o III (1521-1557). | UNESCO |