Occurrence of Attributes in Original Text
The text related to the cultural heritage 'Monastery of Batalha' has mentioned 'Cloister' in the following places:
| Occurrence Sentence | Text Source |
|---|---|
| Contents 1 History 2 Architecture 2.1 Interior 2.1.1 Nave and choir 2.1.2 Founder's Chapel 2.1.3 Unfinished Chapels 2.1.4 Chapterhouse 2.1.5 Royal Cloister 2.1.6 Lavabo 2.1.7 Cloister of King Afonso 3 References 4 External links | WIKI |
| Cloister hall of the monastery. | WIKI |
| He drew up the plan, and many of the structures in the church and the cloister are his doing. | WIKI |
| This is manifest in the main faxc3xa7ade, the dome of the square chapter house, the Founder's Chapel, the basic structure of the Imperfect Chapels and the north and east naves of the main cloister. | WIKI |
| He added the Cloister of Afonso V. He was succeeded by the architect Mateus Fernandes the Elder in the period 1480xe2x80x931515. | WIKI |
| The Cloister of King Joxc3xa3o I borders on the church and this chapterhouse. | WIKI |
| The structure continues into the cloister of King Afonso V (Claustro de D. Afonso V). | WIKI |
| Royal Cloister[edit] | WIKI |
| The Royal Cloister (Portuguese: Claustro Real) was not part of the original project. | WIKI |
| Cloister of King Afonso[edit] | WIKI |
| This sober cloister next to the Claustro Real was built in conventional Gothic style with double pointed arches. | WIKI |
| The greater part of the monumental complex dates from the reign of Joxc3xa3o I (1385-1433), when the church (finished in 1416), the royal cloister, the chapter-house, and the funeral chapel of the founder were constructed. | UNESCO |
| Batalha is the conservatory of several privileged expressions of Portuguese art: the sober architectural style of the end of the 14th century, with the stupendous nave of the abbatial, of which the two-storey elevation, with broad arcades and high windows, renders most impressive; the exuberant aesthetic of the capelas imperfeitas; the flamboyant arcades embroidered in a lace-work of stone: the Manueline Baroque even more perceptible in the openwork decor of the tracery of the arcades of the royal cloister than on the immense portal attributed to Mateus Fernandes the Elder; and finally, the hybrid style of Joxc3xa3o de Castilho, architect of the loggia constructed under Joxc3xa3o III (1521-1557). | UNESCO |
| Conservation and restoration of all stained glass windows and mural paintings in the Royal Cloister and in the Sacristy have been carried out according to the Nara Document on Authenticity. | UNESCO |