Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Group of Monuments at Hampi' has mentioned 'Vishnu' in the following places:
Occurrence Sentence Text Source
[67] To the west of this tank are shrines of Shaktism and Vaishnavism traditions, such as those for Durga and Vishnu respectively.
The temple opens to the east; it has a gateway with reliefs of all ten avatars of Vishnu starting with Matsya at the bottom.
South of the Krishna temple's exterior are two adjacent shrines, one containing the largest monolithic Shiva Linga and the other with the largest monolithic Yoga-Narasimha avatar of Vishnu in Hampi.
It is dedicated to Vishnu.
The temple had an outer gopuram leading into a courtyard with a 100-column hall and an inner gopuram leading to the Vishnu temple.
[73][74] On each side of each pillar in the 100-column hall are reliefs of avatars of Vishnu; other deities such as Shiva, Surya, Durga; scenes of daily lifexe2x80x94rishi, amorous couples, jokers; people in yoga asanas; people in namaste poses; and Vijayanagara emblems.
A similar monument dedicated to Narasimha, the man-lion avatar of Vishnu, is located east of Hampi; an inscription near it states that it was operating in 1379 CE.
This temple was dedicated to Rama of the Ramayana fame, and an avatar of Vishnu.
The temple has a smaller shrine with friezes depicting the legends of Vishnu avatars.
On the rock face are reliefs of Anantashayana Vishnu (reclining Vishnu creating the cosmic cycle, Ranganatha), friezes narrating the legends of Narasimha and Prahlada, and the twenty-four avatars of Vishnu according to the Puranic tradition of Vaishnavism.
The complex, also known as Varadevi Ammana Pattana, was likely built in the early 16th century and dedicated to Rama (Vishnu avatar).
[8] Other significant monuments include a temple near the octagonal bath for Saraswati, a Hindu goddess of knowledge and music; a temple in the suburbs for Ananthasayana Vishnu; an Uddana Virbhadra temple for Shiva and Vishnu; a shrine for Kali, the fierce form of Durga unusually shown holding a ball of rice and a ladle;[127] an underground temple in the royal centre; a Sugriva cave temple;[128] the Matanga hill monuments; the Purandaradasa temple dedicated to the scholar-musician famed for the Carnatic music tradition; the Chandrashekhara temple for Shiva near the Queen's bath monument; and the Malyavanta hill dedicated to Rama-Sita-Lakshmana and Shiva.