Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Buddhist Monuments at Sanchi' has mentioned 'Tree' in the following places:
Occurrence Sentence Text Source
The tree on the extreme right is the pipal tree of Gautama Buddha and the one next to it is the banyan tree of Kasyapa Buddha.
Here the sanctity of the tree is indicated by umbrellas and garlands, and on the throne inside the shrine are three triratna symbols.
He would thereafter build a temple around the tree, seen in the panel above, and which would become the sacred temple of Bodh Gaya.
At the back of them is a plantain tree, and above, a Chaitya's window with an umbrella on either side.
Great Miracle at Sravasti (also called Mango Tree Miracle, when the Buddha walks in the air).
In the center, a mango tree with the throne of the Buddha in front (the Buddha, of course, not being illustrated).
Round the Buddha is a circle of his followers bringing garlands to the tree or in attitudes of adoration.
It was beneath a mango tree that, according to the Pali texts, Buddha performed the great miracle at Sravasti, when he walked in the air, and flames broke from his shoulders and streams of water from his feet.
To the right of the tree is King Suddhodana with attendants, one of whom is holding the royal umbrella.
The reason for the banyan tree (Ficus Indica, Skrxc2xa0: nyagrodha) is that King Suddhodana presented a park of banyan trees to his son on his return, and the tree, therefore, helps to localize the incident.
At the top of the ladder is the tree and throne of the Buddha with the gods on either side in an attitude of adoration.
At the foot of the ladder the tree and throne are repeated with a trio of devotees on either side, indicating that the Buddha has returned again to earth.
Spreading through its upper windows, the branches of the sacred tree can be seen.
In the center, the tree and throne of the Buddha, with a group of worshipers around, including King Suddhodana, the father of the Buddha, who is standing immediately in front of the throne.
The tree behind the throne in front of the city gate appears to be a Shala tree ( shorea robusta ), and to refer to the fact that Buddha's parinirvana took place in a grove of those trees.
In the Mahabhinishkramana scene on the East Gateway we have already seen that the artist inserted a jambu tree in the middle of the panel, to remind the spectator of the first meditation of the Bodhisattva and the path on which it led him.
They lived at a spot near the Ganges and ate of the fruit of a great mango tree.
King Brahmadatta of Benares, desiring to possess the mangoes, surrounded the tree with his soldiers, in order to kill the animals, but the Bodhisattva formed a bridge over the stream with his own body and by this means enabled the whole tribe to escape into safety.
To the left, at the top, is the great mango tree to which two monkeys are clinging, while the king of the monkeys is stretched across the river from the mango tree to the opposite bank, and over his body some monkeys have already escaped to the rocks and jungles beyond.
Higher up the panel the figure of the king is repeated, sitting beneath the mango tree and conversing with the dying Bodhisattva, who, according to the Jataka story, gave the king good advice on the duties of a chief.
In the center of the panel is the tree and throne of the Buddha, and round about the throne a company of gods standing upon clouds in attitudes of adoration.
At the top of the panel are gandharvas bringing garlands and below them, on each side of the tree, come Indra and Brahma, riding on lion-like creatures.
The Buddha, represented by his throne, beneath a flowery tree with hills and jungle around.
Possibly the tree is the Rajayatana tree at Bodh Gaya, beneath which the Buddha sat shortly after his enlightenment.