Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Buddhist Monuments at Sanchi' has mentioned 'Horse' in the following places:
Occurrence Sentence Text Source
[26][27][22] Foreigner on a horse.
Instead the artists chose to represent him by certain attributes, such as the horse on which he left his father's home, his footprints, or a canopy under the bodhi tree at the point of his enlightenment.
[51] One of the faces shows a galopping horse carrying a rider, while the other face shows an elephant and its mahaut.
Northwestern foreigners at Sanchi Foreigner on a horse, circa 115 BCE, Stupa No2.
On each of the projecting ends of this lintel is a horse with attendants and royal umbrella, issuing from a city gate.
Possibly it is Kanthaka, the horse of Gautama, when he was going forth from the city of Kapilavastu.
A royal figure in a chariot drives forth from a city gate, with a horse in front.
The scene is analogous to the scene of Buddha's departure from Kapilavastu on the East Gateway, but in that case there is no chariot, and in this case there is no umbrella above the horse to indicate the presence of the Buddha.
Siddharta rides his horse Kanthaka, who is being lifted above the ground by Yakshas in order not to make noise and to avoid awakening the guards.
The horse is seen progressing from left to right, away from the city, and progressively higher in the air.
Siddharta is not visible, but a chatra royal parasol is held by Chandaka in order to signify the fact that Siddharta is riding on the horse.
After his arrival in the forest on the right, Siddharta discards his robes, cuts off his hair and returns the horse to Chandaka.
The horse is seen returning without a rider, walking on the ground this time, and, of course, devoid of the chatra parasol over it this time.