Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Amiens Cathedral' has mentioned 'Viollet-le-Duc' in the following places:
Occurrence Sentence Text Source
After the press criticized faults in the sculpture and restoration, Cheussey resigned and was replaced in 1849 by Eugene Viollet-le-Duc.
Viollet-le-Duc began a more ambitious program aimed at restoring the building as much as possible to its medieval spirit, including the addition of sculpted gargoyles and other legendary Gothic creatures.
Viollet-le-Duc worked almost continually on the Cathedral until 1874.
Nearly all of the statues date to the restoration by Viollet-le-Duc.
[22] The elaborate Bell-Ringers or Musicians Gallery, which joins the two towers at the roof level, was added at this time, and was substantially restored or recreated in the 19th century by Viollet-le-Duc.
Viollet-le-Duc redesigned the gallery on the model of the gallery of Chartres Cathedral from the same period.
The fleche as drawn by Viollet-le-Duc The fleche of Amiens Cathedral (16th c.) Sculpture of the flxc3xa8che
The flying buttresses between the bays supporting the upper walls of the choir The early buttresses of the nave, drawn by Viollet-Le-Duc (c. 1230) The later reinforced double buttresses of the choir (c. 1260)
Three of the chapels in the east end were entirely redone by Viollet-le-Duc in the 19th century; those of St. Theodisius, in the north, The Lady's Chapel (Notre-Dame-Drapiere) in the centre, and Saint Jacques or the Sacred Heart, in the south.
Viollet-le-Duc designed the furniture and decoration, including the gilded bronze altar in the Chapel of the Sacred Heart.