Occurrence of Attributes in Original Text
The text related to the cultural heritage 'Ajanta Caves' has mentioned 'Stupa' in the following places:
| Occurrence Sentence | Text Source |
|---|---|
| Cave 9, a first-period Hinayana-style chaitya worship hall with stupa but no idols | WIKI |
| [31] Of these, caves 9 and 10 are stupa containing worship halls of chaitya-griha form, and caves 12, 13, and 15A are vihxc4x81ras (see the architecture section below for descriptions of these types). | WIKI |
| [25] The first Satavahana period caves lacked figurative sculpture, emphasizing the stupa instead. | WIKI |
| The other type of main hall architecture is the narrower rectangular plan with high arched ceiling type chaitya-griha xe2x80x93 literally, "the house of stupa". | WIKI |
| This hall is longitudinally divided into a nave and two narrower side aisles separated by a symmetrical row of pillars, with a stupa in the apse. | WIKI |
| [73][74] The stupa is surrounded by pillars and concentric walking space for circumambulation. | WIKI |
| All follow the typical form found elsewhere, with high ceilings and a central "nave" leading to the stupa, which is near the back, but allows walking behind it, as walking around stupas was (and remains) a common element of Buddhist worship (pradakshina). | WIKI |
| [80] The two later halls have a rather unusual arrangement (also found in Cave 10 at Ellora) where the stupa is fronted by a large relief sculpture of the Buddha, standing in Cave 19 and seated in Cave 26. | WIKI |
| The stupa is at the center of the apse, with a circumambulation path around it. | WIKI |
| The stupa sits on a high cylindrical base. | WIKI |
| On the left wall of the cave are votaries approaching the stupa, which suggests a devotional tradition. | WIKI |
| [160] Above the pillars and also behind the stupa are colorful paintings of the Buddha with Padmapani and Vajrapani next to him, they wear jewels and necklaces, while yogis, citizens and Buddhist bhikshu are shown approaching the Buddha with garlands and offerings, with men wearing dhoti and turbans wrapped around their heads. | WIKI |
| Buddha statue on the porch of Cave 9 The apsidal hall with plain hemispherical stupa at apse's center[161] Pillar paintings Cave 9: fresco with Buddhas in orange robes and protected by chatra umbrellas | WIKI |
| [163] It has a large central apsidal hall with a row of 39 octagonal pillars, a nave separating its aisle and stupa at the end for worship. | WIKI |
| The stupa has a pradakshina patha (circumambulatory path). | WIKI |
| [174] Another pillared verandah ends in a sanctum with seated Buddha against an incomplete stupa, and has four cells. | WIKI |
| [209] It made a major departure from the earlier Hinayana tradition, by carving a Buddha into the stupa, a decision that states Spink must have come from "the highest levels" in the 5th-century Mahayana Buddhist establishment because the king and dynasty that built this cave was from the Shaivism Hindu tradition. | WIKI |
| Cave 19 excavation and stupa was likely in place by 467 CE, and its finishing and artistic work continued into the early 470s, but it too was an incomplete cave when it was dedicated in 471 CE. | WIKI |
| At the center of the apse is a rock-cut stupa. | WIKI |
| The stupa has an image of the Buddha on its front, 18 panels on its base, 18 panels above these, a three tiered torana above him, and apsaras are carved on the anda (hemispherical egg) stupa. | WIKI |
| [243] The sculptured dagoba (stupa) in the worship hall. | WIKI |
| In the attempts to clear and restore the walkway, a small aperture and votive stupa were noticed in the debris by the workers, in a location near the stream bed. | WIKI |
| The cells were built around a stupa set on a central platform. | WIKI |
| [106][107] It has a number of cells facing a central courtyard, in which a stupa was established. | WIKI |