Occurrence of Attributes in Original Text
The text related to the cultural heritage 'Ajanta Caves' has mentioned 'Mural' in the following places:
| Occurrence Sentence | Text Source |
|---|---|
| [8] While vivid colours and mural wall-painting were abundant in Indian history as evidenced by historical records, Caves 16, 17, 1 and 2 of Ajanta form the largest corpus of surviving ancient Indian wall-painting. | WIKI |
| Mural paintings survive from both the earlier and later groups of caves. | WIKI |
| Four of the later caves have large and relatively well-preserved mural paintings which, states James Harle, "have come to represent Indian mural painting to the non-specialist",[88] and represent "the great glories not only of Gupta but of all Indian art". | WIKI |
| Unlike much Indian mural painting, compositions are not laid out in horizontal bands like a frieze, but show large scenes spreading in all directions from a single figure or group at the centre. | WIKI |
| [96] Cave 17 verandah doorway; eight Buddhas above eight couples[97][98] Section of the mural in Cave 17, the 'coming of Sinhala'. | WIKI |
| [192] One mural shows Buddha's parents trying to dissuade him from becoming a monk. | WIKI |
| Part of a mural probably relating the conversion of Nanda, Cave 1. | WIKI |
| Cave 1, for example, shows a mural fresco with characters with foreigner faces or dresses, the so-called "Persian Embassy Scene". | WIKI |