Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Ajanta Caves' has mentioned 'Culture' in the following places:
Occurrence Sentence Text Source
Contents 1 History 1.1 Caves of the first (Satavahana) period 1.2 Caves of the later, or Vxc4x81kxc4x81xe1xb9xadaka, period 1.3 Re-discovery 2 Sites and monasteries 2.1 Sites 2.2 Monasteries 2.3 Worship halls 3 Paintings 4 Spink's chronology and cave history 4.1 Hindu and Buddhist sponsorship 5 Individual caves 5.1 Cave 1 5.2 Cave 2 5.3 Cave 3 5.4 Cave 4 5.5 Cave 5 5.6 Cave 6 5.7 Cave 7 5.8 Cave 8 5.9 Cave 9 5.10 Cave 10 5.11 Caves 11 5.12 Caves 12 5.13 Cave 13, 14, 15, 15A 5.14 Cave 16 5.15 Cave 17 5.16 Cave 18 5.17 Cave 19 (5th century CE) 5.18 Cave 20 5.19 Caves 21, 22, 23, 24 and 25 5.20 Cave 26 (5th century CE) 5.21 Caves 27, 28 and 29 5.22 Cave 30 5.23 Other infrastructure 5.24 Recent excavations 6 Copies of the paintings 7 Significance 7.1 Natives, society and culture in the arts at Ajanta 7.2 Foreigners in the paintings of Ajanta 8 Impact on later painting and other arts 9 See also 10 Notes 11 References 11.1 Bibliography 12 External links
The Ajanta Caves were built in a period when both the Buddha and the Hindu gods were simultaneously revered in Indian culture.
[85][87][205] The depictions weave in the norms of the early 1st millennium culture and the society.
Natives, society and culture in the arts at Ajanta[edit]
The Ajanta cave arts are a window into the culture, society and religiosity of the native population of India between the 2nd century BCE and 5th century CE.
Ajanta caves contributes to visual and descriptive sense of the ancient and early medieval Indian culture and artistic traditions, particularly those around the Gupta Empire era period.
It also suggests, states Branacaccio, that the Buddhist monastic world was closely connected with trading guilds and the court culture in this period.