Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Ajanta Caves' has mentioned 'Aisle' in the following places:
Occurrence Sentence Text Source
There are four cells on each of the left, rear, and the right walls, though due to rock fault there are none at the ends of the rear aisle.
The two most famous individual painted images at Ajanta are the two over-life-size figures of the protective bodhisattvas Padmapani and Vajrapani on either side of the entrance to the Buddha shrine on the wall of the rear aisle (see illustrations above).
Each arm or colonnade of the square is parallel to the respective walls of the hall, making an aisle in between.
The cave has a distinct apsidal shape, nave, aisle and an apse with an icon, architecture, and plan that reminds one of the cathedrals built in Europe many centuries later.
The aisle has a row of 23 pillars.
[163] It has a large central apsidal hall with a row of 39 octagonal pillars, a nave separating its aisle and stupa at the end for worship.
[182][183] Cave 16 is a Mahayana monastery and has the standard arrangement of a main doorway, two windows, and two aisle doorways.
These show the Buddha, flowers, and in the left aisle the "Mother and Child" legend again.
Cave 19 plan suggests that it once had a courtyard and additional artwork[208] Nagaraja in ardhaparyanka asana, with his wife holding lotus and wearing mangalasutra[208] The nave has 15 pillars with Buddha reliefs[215] Buddha paintings in the side aisle of Cave 19[215]
[228] The cell construction began as soon as the aisle had been excavated and while the main hall and sanctum were under construction.
This path is full of carved Buddhist legends, three depictions of the Miracle of Sravasti in the right ambulatory side of the aisle, and seated Buddhas in various mudra.
[240] The artwork begins on the wall of the aisle, immediately the left side of entrance.
[244] Cave 26, left aisle wall: Mahaparinirvana of Buddha, or Dying Buddha[245]